Partial list of authors:

Pat Conroy

Jennifer Weiner

Chuck Palahniuk

Maeve Binchy

Anna Deveare Smith

Bill O’Reilly

Anne Rice

J. R. Ward

Perez Hilton

Sylvia Browne

Jim Butcher

Geraldo Rivera

Sarah Bird

Lisa Wingate

Sherry Thomas

Jeff Lindsay

Lynn Viehl

Rachel Vail

Cassie Edwards

C. L. Wilson

Bertrice Small

Catherine Anderson

Shannon Butcher

Anne Frasier

Colleen Gleason

Tug McGraw

Lauren Conrad

Victoria Laurie

Erin Hunter (Warriors, Seekers series)

Jessica Andersen

Christina Dodd

Meg Gardiner

Lee Goldberg (Monk series)

David Marion Wilkinson

Michael Prescott

Charles Smithdeal

Joanna Hershon

Nancy McKenzie

Deirdre Knight

O. Henry short stories (series)

David Thomas Lord

Jo Beverly

Joseph Pistone

Donald Bain (Murder, She Wrote series)

Ye Zhaoyan

Holly Lisle

Amanda Boyden

Beverly Connor

Liz Maverick

Colleen Gleason

Barbara Freethy

Elaine Viets

Shobhaa Dé

Jesse Ball

John Twelve Hawks

Savanna Russe

William Esper and Damon DiMarco

Julie Leto

Katie MacAllister

Welcome to FoxPrint Editorial

Bio

Tiffany Yates Martin has worked in the publishing industry for nearly twenty years. Currently she works as an acquisitions and developmental editor for Carina Press, an electronic Harlequin imprint, as well as one-on-one with authors as a developmental editor through her editorial consulting company FoxPrint Editorial, helping authors hone their work to a tight polished draft. Recent private clients include Sarah Bird (Gap Year) and New York Times best-seller and RITA winner Sherry Thomas (His at Night).

As a freelance copyeditor and proofreader, she has worked with major New York publishers, among them Random House, the Penguin Group, and HarperCollins. She holds a BA in English Literature from GSU and is a member of the Editorial Freelancers Association.

She has worked on titles by New York Times best-selling authors and manuscripts for unpublished writers, single titles as well as entire series: Jennifer Weiner (Goodnight Nobody), Chuck Palahniuk (Pygmy, Tell-All), Pat Conroy (My Reading Life), Bill O’Reilly (A Bold, Fresh Piece of Humanity), Sylvia Browne (The Mystical Life of Jesus), Jim Butcher (Dresden Files series), Geraldo Rivera (The Great Progression), J. R. Ward (Black Brotherhood series), and Perez Hilton (Red-Carpet Suicide), among hundreds of others.

Here’s what some authors have to say about her work:

“A good editor will help you with grammar, continuity errors, spelling. A great editor will do all that and help you with structure. Tiffany Yates is a great editor. Working with Tiffany was like getting a boost to the left side of my own brain so that I could visualize a very important structural change that improved my novel exponentially. That and she caught that I’d gotten the colors of an Igloo cooler wrong! Tiffany is the editor you always dreamed of: intent upon helping you express your vision, ultra-professional, and a joy to work with. Writers struggling with structure, voice, marketability, subject/verb agreement, look up Tiffany Yates. She's THAT good. . . .”—Sarah Bird, Gap Year

“Tiffany was a lifesaver: thorough, precise, and meticulous. She was exactly what my much-altered, much-muddled manuscript needed. And her insights gave me a couple of sleepless nights—because they were so spot-on—and my book was all the better for them.”—Sherry Thomas, His at Night, 2011 RITA Award winner, Best Historical Romance

“Given Oblivion’s Altar’s idiosyncratic complexities, I was totally amazed by what came back after Tiffany’s work. Not only was my manuscript edited and corrected, in many cases, Tiffany had even re-researched for the accuracy of Cherokee spelling and grammar. . . . Not only did my work flow better after Tiffany’s edit, I also knew that it was right. . . . Oblivion’s Altar went on to win one award for historical fiction, and was even a finalist for the Oklahoma Book Award (which is a miracle for any Texas writer). Tiffany Yates had a lot to do with the book’s critical and commercial success.”—David Marion Wilkinson, Oblivion’s Altar

“The unsung heroes in bringing A Sniper’s Journey to the bookshelves are NAL associate managing editor Sally Franklin and copy editor Tiffany Yates, who has a really annoying eye for inconsistencies, echoed words and substandard English. But we really do thank her for making our book more readable.”—Michael Hirsh (with Gary D. Mitchell), A Sniper’s Journey: The Truth about the Man Behind the Rifle

“Tiffany Yates was an eagle-eyed line editor.”—Jennifer Weiner, Goodnight Nobody

“Thank you, Tiffany Yates, for an outstanding job of copyediting.”—Charles Smithdeal, Dead Ringer

“Many thanks . . . to Tiffany Yates, for her expert copyediting.”—Michael Prescott, In Dark Places

“Tiffany helped me rewrite my young adult novel, Text of Kin, from a first draft to a tight, ready-to-submit manuscript. She gave me feedback on each chapter, and overall plot structure, allowing me to correct for lulls in tension, character actions that read as inorganic, and believability issues. But she didn’t just point out weaknesses in the writing—she gave me enough detail on why something didn’t work for her, and thoughts on how to make improvements, that rewriting and bringing the entire novel up a notch was not only doable but fun.”—Amber Novak, quarterfinalist in Amazon’s 2010 Breakthrough Novel contest

“Thanks to Tiffany Yates for her excellent copyediting.”—Susan Crain Bakos, Make Over Your Sex Life . . . Tonight!: Hot, Fast, Erotic Fixes . . . And Sensuous Stories to Get Things Started

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